CIMAFUNK
As Cimafunk’s music pulses through your speakers, it’s immediately clear that his sound is as deeply rooted in Afro-Cuban tradition as it is forward-thinking and innovative.
Born Erik Alejandro Iglesias Rodríguez, Cimafunk embodies a unique fusion of old and new, blending the rich rhythms of his Cuban heritage with the unmistakable grooves of funk and R&B. When asked how he balances honoring tradition while creating something contemporary, he’s candid: “It’s something I can’t control. I just improvise,” he tells SoundExchange.
Everything I try to do—even if it’s pop, rock, or funk—the Afro-Cuban always comes out. It’s in my blood.”
His approach to music is intuitive and deeply personal, grounded in memories and sensations rather than technical theory. Whether evoking a sense of sensuality or joy, Cimafunk focuses on the intention behind each track, allowing the natural rhythm of his Afro-Cuban heritage to shine through.
A pivotal moment in Cimafunk’s career came when he first left Cuba to work on a cruise ship. That experience, and more importantly, his first access to the internet, changed everything. “We didn’t have internet in Cuba until 2015,” he recalls. “Once I connected, everything changed. I started to understand what was possible and saw examples of people in similar situations making it in the music industry.” This realization inspired him to exit his previous band and embark on a solo journey that would redefine his career.
Music has always been part of Cimafunk’s life, thanks in large part to his uncle, who introduced him to legends like Stevie Wonder, Lionel Richie, and Funkadelic. These early influences in R&B, soul, and funk were pivotal in shaping his sound. “I didn’t know their faces, but I knew their music from the cassettes my uncle bought,” Cimafunk reminisces. It wasn’t just the music that resonated with him, but also the histories of these artists—many of whom, like Marvin Gaye and James Brown, overcame tremendous obstacles to create something meaningful and culturally transformative. “That’s what excites me,” he says. “The way they developed themselves in difficult environments and created beautiful things.”
Despite his global success, Cimafunk remains grounded, and his family plays a big role in keeping him that way. “They’re really happy,” he says, smiling. “But with family, everything is more natural. When I told them about my first Grammy nomination, they were like, ‘Oh, that’s cool! Congrats! Now let’s go eat!’ It’s grounding for me.” His family’s casual yet heartfelt support has been a constant as his career has taken off, providing balance amid the whirlwind of international fame.
The name Cimafunk carries deep historical significance, a nod to the Cimarrons—slaves who escaped and formed free communities in the mountains of Cuba. “For me, the Cimarron represents Afro-Cuban identity,” Cimafunk explains. “They were cooking in freedom, building something new.” By blending that legacy with the irresistible grooves of funk, Cimafunk honors both his Afro-Cuban roots and the African-American funk tradition. It’s a fusion that speaks to the shared history of struggle and resilience between these cultures.
Cimafunk’s creative process has evolved over the years, particularly since his first album, Terapia. Initially, he composed more with the guitar, but as he became more comfortable with technology, his approach shifted. “Now, I’m cooking the groove first,” he says. “I start with the music, then I let the verses flow.” This groove-driven approach has infused his recent work with an infectious energy, one that’s evident in his latest album, Pa’Tu Cuerpa.
Released in August, Pa’Tu Cuerpa has garnered widespread acclaim, capturing the essence of what Cimafunk does best—getting people to move. “This album is about how people enjoy the show,” he says. “No matter where I am, whether it’s New Zealand or New York, after 50 minutes, the crowd becomes the same. When the flesh takes control, everyone just grooves.” The title itself, a playful take on the Spanish word “cuerpo” (body), reflects the universal, joyful physicality of Cimafunk’s music.
Collaborations have been a defining feature of his work, and Pa’Tu Cuerpa is no exception. The album features an array of incredible artists, including New Orleans bounce icon Big Freedia, legendary funk pioneer George Clinton, and Latin Grammy-nominated group Monsieur Periné. “The song decides the collaboration,” Cimafunk says. “For the track with George, I could just hear him in the groove before I even sent it to him. It’s all about learning and having fun.”
The collaboration with Monsieur Periné on “Catalina” has earned Cimafunk a Latin GRAMMY nomination for Record of the Year. “It’s perfect,” he says. “We’ve been trying to get into the Latin scene, and this nomination is a great way to connect with our Latin cousins.” He’s thrilled to be in such esteemed company, sharing the category with artists like Bad Bunny, Karol G, and Anitta.
As Cimafunk prepares to kick off the North American leg of his tour, fans can expect an unforgettable experience. “Just wear comfortable clothes,” he laughs. “You’re going to dance, you’re going to groove, and you’re going to feel it. It’s all about release and joy.” With songs like “I Don’t Care” featuring George Clinton, and the funky “Cuchi Cuchi,” Cimafunk promises a show that will leave audiences exhilarated and wanting more.
Cimafunk’s journey is a testament to the power of cultural fusion, innovation, and staying true to one’s roots. As he continues to break boundaries and bring Afro-Cuban funk to audiences worldwide, one thing is certain—he’s just getting started.